The facts of life: how fake information is sold to us

In today’s New York Times column called The Interpreter, Max Fisher and Amanda Taub  do a fine job detailing the M.O. of the Russian fake news engine called kompromat–compromising (a/k/a fake news) material.

As we all know, kompromat most probably affected voters in the presidential election. Some of it was produced in Russia and picked up and spread by our alt-reich media, and some of it was produced right here in the U.S.A.

Although I’ve confidently written about how I get the facts of life, I am thankful for Ms. Taub’s and Mr. Fisher’s clear and specific description of how kompromat functions, and how it can fail. (Let’s call this komprosplat.)

I’m especially grateful because, despite my belief that I’m immune to being influenced by fake news, this column forced me to realize how vulnerable we all are to being brainwashed. At least until someone we trust labels lies as lies.

I’ve bolded the paragraphs that made me feel most vulnerable:

When Russia’s Dark Arts Backfire
We wanted to share a little story from the recent past of Natalia Veselnitskaya, a Kremlin-connected Russian lawyer who features in this week’s news about Donald Trump Jr. That story, we think, says a lot about Russian power, how it works and when it doesn’t.
To catch you up to speed, the younger Mr. Trump, who is the president’s son, met last June with Ms. Veselnitskaya on the promise of documents that would incriminate Hillary Clinton. An email to Mr. Trump setting up the meeting said the information was “part of Russia and its government’s support” for his father.
But this newsletter is not about Mr. Trump. Rather, it’s about Ms. Veselnitskaya and a little imbroglio she found herself in a few months earlier in Belgium.
Ms. Veselnitskaya, you see, spent part of last year organizing showings for a film called “The Magnitsky Act: Behind the Scenes,” including at the European Parliament in Brussels.
It’s about Sergei Magnitsky, a Russian lawyer who helped to expose government corruption, was arrested and died after being beaten in prison. Mr. Magnitsky’s case prompted such outrage that in 2012 Congress passed the Magnitsky Act, which sanctions Russian officials responsible for human rights violations.
The movie alleges that Mr. Magnitsky never implicated Russian officials and wasn’t beaten in jail. It also accuses William F.  Browder, Mr. Magnitsky’s former employer and the driving force behind the Magnitsky Act, of being responsible for the corruption Mr. Magnitsky uncovered.
To call the film controversial is an understatement; it’s been denounced by human rights advocates and journalists as full of untruths meant to malign Mr. Magnitsky and Mr. Browder and to protect the Kremlin.
Ms. Veselnitskaya had reason to want the film shown. At the time, she represented a Russian businessman who was under investigation in the United States for money laundering connected to the Magnitsky case. The Kremlin, to which she has close links, has made repealing the Magnitsky Act a top priority.
Which brings us back to Brussels. Ms. Veselnitskaya had helped arrange the screening, which had all the hallmarks of a Russian influence operation.
There was the up-is-down reality distortion of the film itself. The Kremlin often undermines opponents by releasing compromising information, known as “kompromat,” that can be real or fake but manufactures public cynicism and confusion.
There was the Russian media hall of mirrors. Five pro-Kremlin outlets sent TV crews, ensuring near-Olympics-level coverage. This is also a common Russian tactic: make an assertion and then relentlessly cover it as fact until it becomes mistaken for truth.
There was the brazen defiance of international norms. Two officials who had been linked to Mr. Magnitsky’s death attended, a signal that Moscow saw the accusations as illegitimate and would ignore international pressure.
And there was the imposition of a false reality. If past Russian efforts are any guide, then the event was meant not just to impugn Mr. Magnitsky but to imply that the European Union, by hosting the film, was finally waking up to the truth of Moscow’s innocence.
The incident is a neat illustration of how Russia, which no longer wields the kind of power it once had, now advances its interests through the dark arts of influence operations. And it just so happens to feature Ms. Veselnitskaya, who is again in the news.
But this story has a twist, which is why we wanted to raise it. (If you followed this all as it happened, you already see the twist coming.) The operation fell flat, and arguably even backfired.
The screening was canceled at the last minute. The chairman of the European Parliament’s foreign affairs committee, Elmar Brok, told Radio Free Europe, “This is a piece of propaganda that should not be part of our parliamentary work.” The next day, a pan-European TV channel canceled its own plans to show the film.
The incident also appeared to offend many in the European Union and galvanize them in support of Mr. Magnitsky’s fight against corruption in Russia. In other words, the whole affair may have harmed more than advanced Russian interests.
That is the side of Russian influence operations you hear about less often. Yes, these operations pose a serious and growing threat to the Western order.
But it’s worth remembering that this is still Russia, a country that has seen its geopolitical position decline steadily for years. Since it ramped up these influence operations, starting around 2013, it has gotten itself isolated and sanctioned, its economy has tanked and it has become mired in wars in Ukraine and Syria.
It is easy to be dazzled by these influence operations and mistake Russia for an all-knowing superpower executing one brilliant chess move after another. It is not. It is, nearly every Russia expert agrees, driven primarily by fear and weakness, and with reason. Ms. Veselnitskaya’s misadventure in Brussels is a reminder of that.


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